Unitarian Universalist Church of Oak Cliff


 About Our Church
   Welcome
   Mission Statement
   Our History
   FAQs
   How to Find Us
   Church Grounds

 Our Services
   Our Minister
   Minister Columns
   Sunday Services
   Listen to Our Services
   Religious Education

 What's Going On?
   Events Calendar
   Groups/Activities
   Labyrinth
   Newsletters
   Photographs
   Social Action
     Coffee House
     Film Festival
     Green Sanctuary

 Other UU Info
   Famous UUs
   Local UU Societies
   Interesting Links
   UU Association

 Member Area
   Directory
   Board Reports
   Photo Albums



Web This Site

First Tuesday Film Festival
The First Tuesday of each month at 7:00pm the UUCOC hosts free screenings of socially relevant films followed by a (usually intense) discussion of actions we can take.

CoSponsored by the Dallas Peace Center

Sign up here for advance notice of upcoming films.
Click here if you wish to stop receiving our film alerts.

Click here to review the films we've screened almost every month since October of 2006

Coming May 6th: 


Click to visit the filmmaker's website

Click here to view the trailer

Dangerous Living 

Dangerous Living: Coming Out in the Developing World is the first documentary to deeply explore the lives of gay and lesbian people in non-western cultures. Traveling to five different continents, we hear the heartbreaking and triumphant stories of gays and lesbians from Egypt, Honduras, Kenya, Thailand and elsewhere, where most occurrences of oppression receive no media coverage at all. 

By sharing the personal stories coming out of developing nations, Dangerous Living sheds light on an emerging global movement striving to end discrimination and violence against gay, lesbian, bisexual and transgendered people.

“Be inspired, be very inspired!” 
– London Lesbian and Gay Film Festival

“Uplifting!”
- Outtakes.net

“Tear-wrenchingly powerful.”  
– Citypages.com

Heartrending and inspiring.”  
– San Francisco International 
Lesbian & Gay Film Festival

 

June 3rd:

I Know I'm Not Alone Movie Poster
Click to visit the filmmaker's website
and view the trailer

I Know I'm Not Alone

Michael Franti, world-renowned musician and human rights worker, travels to Iraq, Palestine and Israel to explore the human cost of war with a group of friends, some video cameras and his guitar.

A compelling soundtrack, visual and musical montages and Franti's intimate voiceovers make the film speak to the MTV, X, Y & Z generations, as well as the baby-boomers. A true armchair travel film pulling the audience into these war zones in the company of Michael's guitar, eloquence and wit - you feel the humanity, artistic resilence and sometimes horrific experience of what it's like to live under the bombs and military occupation.


July 1st:


Click to visit the filmmaker's website

 Injection

The film's Director will be at the screening and available for questions during our forum after the film

In this hard-hitting film, Mickey Grant travels to Kenya, Bangkok, Sofia, Libya, Rome and London in an attempt to discover the hidden truths. He follows the trail of syringes from hospital to garbage dump, and then back into Africa's health care system. He interviews leaders of the World Health Organization, Amnesty International, government officials, the Kaddafi opposition, Bulgarian journalists, medical scientists, and health care workers. We also hear from two imprisoned Bulgarian nurses, the son of Moammar Kaddafi, and families of the infected children.

Could these healthcare workers have committed this horrific crime? Or, are they scapegoats to divert attention from institutional shortcomings? Is Moammar Kaddafi ultimately responsible for this tragedy? Is syringe reuse common in Libya and the rest of Africa? If syringe reuse is spreading HIV, why is it allowed to continue? Bottom line, millions more will continue to die unless the world health care community addresses these issues.


August 5th:


Click to visit the filmmaker's website

 Two Towns of Jasper 

On June 7, 1998, the most vicious racially motivated murder since the 1955 lynching of Emmett Till occurred in Jasper, Texas. James Byrd, an African American, was chained to a pick-up truck and dragged behind it for three miles until his body disintegrated. Three white men from Jasper, with ties to white supremacist groups, were arrested and later convicted for the crime.

Two film crews, one black and one white, set out to record the repercussions of this modern-day lynching by following the trials of the men charged with the crime and the reactions of the community members. Two Towns of Jasper integrates footage from an all white crew documenting the white community and an all black crew filming the black community. Many documentaries and dramatic films have been made about the racial divide in America, but none have used segregated crews as a lens on the subject. Filming within the respective races as opposed to across the races provides a unique and rare occasion for audiences to have “insider” access, to witness intimate moments typically not shared with anyone outside a closed community.


September 2nd:


Click to visit the website

Reel Bad Arabs


This groundbreaking documentary dissects a slanderous aspect of cinematic history that has run virtually unchallenged form the earliest days of silent film to today's biggest Hollywood blockbusters. Featuring acclaimed author Dr. Jack Shaheen, the film explores a long line of degrading images of Arabs -- from Bedouin bandits and submissive maidens to sinister sheikhs and gun-wielding "terrorists" -- along the way offering devastating insights into the origin of these stereotypic images, their development at key points in US history, and why they matter so much today. 

Shaheen shows how the persistence of these images over time has served to naturalize prejudicial attitudes toward Arabs and Arab culture, in the process reinforcing a narrow view of individual Arabs and the effects of specific US domestic and international policies on their lives. By inspiring critical thinking about the social, political, and basic human consequences of leaving these Hollywood caricatures unexamined, the film challenges viewers to recognize the urgent need for counter-narratives that do justice to the diversity and humanity of Arab people and the reality and richness of Arab history and culture.